The Lens

This solo exhibition of Columbus-raised, New York-based artist Ming Smith, features her first photographic series alongside a new body of work. The exhibition illuminates Smith’s introspective perspective that focuses on spirituality, movement, and feminism. The centerpiece is a multimedia commission that animates a series of photographs, integrating film and dance, while marking an entirely new direction in her practice. Also on view are recent collages and color photographs—all set within an ambient soundscape by her son, Mingus Murray—that continue her interest in Black transcendence. In an adjacent gallery is an installation of Smith’s Africa series, which premieres nearly 30 black-and-white photographs taken... Continue reading Ming Smith: Wind Chime

Cincinnati has long been an incubator for experimental, outsider, and DIY arts activities. Some would argue that it’s because Ohio is a flyover state—or perhaps it’s due to a lack of robust institutional support for local artists, or simply because it lacks a strong collector and commercial gallery system—that artists here are more willing to step outside of the conventional white-walled box to create unique art experiences. Whatever the reason, Cincinnati has a history of artist-run spaces in spades. There is a joy, freedom, and willingness to “make it work” that is found largely in artist-run spaces. Artists identify a void... Continue reading Artist Run: The Continuing Legacy of Cincinnati’s Artist-Run Spaces

Members of the performance collective Mute-N-Heard, organized by artist Michael Coppage in 2005, traveled the world and walked silently through the streets as painted-green characters personifying their struggles: be it insecurities, racism, sexism, beauty standards, and/or mental health issues. The performance series sought to unburden members of the external pressures they had internalized. Humphrey Gets His Flowers is a combination of archival video, large-scale projection, mixed media collages, and photography. Returning to the tribe of mutes—Xelfer, Savage Gurl and Humphrey Humpkick—Michael Coppage analyzes how this practice led to a meaningful method to create impactful images and objects. Coppage revives... Continue reading Humphrey Gets His Flowers

Digressions, an exhibition and corresponding book, weaves through an unspecified space and unfolds through experiences, relationships, and histories of growing up and living in the Midwest. Anchored in the liminal, the exhibition is structured around written correspondence and recorded conversations between artists Mark Albain and Joshua Berg, as well as their friends, family, and colleagues. The conversations are unscripted and undirected to allow freedom, authenticity, and chance, resulting in a loose framework that highlights the elusive sensation of immediacy and moving through place. Change and transformation thread the narrative, exploring the boundaries of experience in the Midwest. The interconnectedness... Continue reading Digressions

ALL FALLS DOWN presents works by Cincinnati artist William Howes and Lebanese artist Gregory Buchackjian who both have documented the destructive effacement of the architectural heritage of their respective cities, Avondale/Cincinnati and Beirut/Lebanon. Their photographs are a record, for future generations, of the disappearing architectural signature of their respective cities and include abandoned buildings condemned due to neglect and decay, economic speculation, violence and war, corruption, lack of financial support, etc. These buildings formed at some point the frame of a whole city or neighborhood, characterizing its planning and architecture, and anchoring the visual and functional relationship of its inhabitants... Continue reading ALL FALLS DOWN: Architectural Heritage Effaced—The Universal Tale of two Cities, 2 Countries