
Unorthodocs and Vanishing Acts in The Box
Unorthodocs is a curated film festival devoted to exploring the possibilities of creative nonfiction filmmaking. Many of the most significant creative innovations happening in contemporary film play with the boundaries of fiction and nonfiction storytelling. This festival spotlights the most adventurous contemporary and historical examples with many of the filmmakers in attendance, giving audiences a chance to meet some of the most accomplished and promising documentarians working today. One of the annual highlights of the festival is a masterclass given by a luminary of the documentary field (past presenters have included Yance Ford and Julia Reichert). Among this year’s selections is Cane Fire (2020) with filmmaker Anthony Banua-Simon in person. The film examines the past and present of the Hawaiian island of Kaua’i, interweaving four generations of family history, numerous Hollywood productions, and troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast indigenous and working-class residents as “extras” in their own story.
The Wexner Center’s dedicated video exhibition space, The Box, features Vanishing Acts, by Ohio artist Suzanne Silver, with an original score by Sivan Silver-Swartz. This diaristic video, which was recorded during the pandemic, and related site-specific installation explore time and memory through the fleeting acts of light and shadow, projected both onscreen and through objects in space.
Filmmakers: Rita Baghdadi, Anthony Banua-Simon, Emily Chao, Suliman Elnour, Laura Herrero Garvín, Suhaib Gasmelbari, Jon-Sesrie Goff, Sam Green, Patricio Guzmán, Camilla Hall, Onyeka Igwe, Eltayeb Mahdi, Alexis McCrimmon, Liz Roberts, Alon Schwarz, Charlie Shackleton, Suzanne Silver, Adrián Silvestre, Ibrahim Shaddad, Maryam Tafakory, Jennifer Tiexiera
Related Events
Unorthodocs Screening: Screening: Subject with post-film discussion, featuring co-director Camilla Hall and co-producers/subjects Jesse Friedman (Capturing the Friedmans), Ahmed Hassan (The Square), and Margaret Ratliff (The Staircase).
October 27, 2022
7:00pm – 9:15pm
Subject checks in with the “stars” of some of the most significant documentaries of the past few decades—Capturing the Friedmans, Hoop Dreams, Minding the Gap, The Square, The Staircase, and The Wolfpack.
Unorthodocs Shorts
October 28, 2022
5:00pm – 6:30pm
Highlights of this always-popular program include Midwaste by FotoFocus artist Liz Roberts and heron 1954–2002 by Alexis McCrimmon, an editor in the Wexner Center’s Film/Video Studio and the sound designer on Midwaste.
Unorthodocs Screening: Sirens featuring post-film discussion with director Rita Baghdadi
October 28, 2022
7:00pm – 8:45pm
Centered on Slave to the Sirens, the Middle East’s first all-female metal band, Sirens follows the band’s founders and guitarists as they try to navigate staying bandmates and friends after their romantic relationship with each other has ended.
Shorts by The Sudanese Film Group
October 29, 2022
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A program of the group’s early short films from the mid ‘60s to the mid ‘80s. Made against the backdrop of long-term civil war, they offer a remarkable glimpse into this seldom seen moment in film history.
Shorts by The Sudanese Film Group
October 29, 2022
10:00am – 10:00am
A program of the group’s early short films from the mid ‘60s to the mid ‘80s. Made against the backdrop of long-term civil war, they offer a remarkable glimpse into this seldom seen moment in film history.
Unorthodocs Screening: Talking About Trees
October 29, 2022
12:15pm – 2:00pm
Four elderly veteran directors from the Sudanese Film Group, tired of their involuntary retirement after years of governmental cinema censorship, work to bring cinema going back to their crisis-ridden country.
Unorthodocs Screening: Cane Fire featuring post-film discussion with director Anthony Banua-Simon
October 29, 2022
4:00pm – 6:00pm
Examine the economic and cultural forces at play on the Hawaiian island of Kaua’i through a kaleidoscopic collage of home movies from four generations of director Anthony Banua-Simon’s family, Clips from numerous Hollywood productions, and troves of found footage.
Unorthodocs Screening: After Sherman featuring post-film discussion with director Jon-Sesrie Goff
October 29, 2022
7:00pm – 9:00pm
Filmmaker Jon-Sesrie Goff returns to the plot of South Carolina land that has been in his family since the 1860s to explore ideas of Black inheritance, generational wisdom and collective history.
Unorthodocs Screening: Sam Green Shorts
October 30, 2022
12:15pm – 1:45pm
An eclectic program of short films that are unified by the filmmaker’s deep sense of inquisitiveness and playful point of view, including The Universal Language, a look at the history of the utopian language Esperanto.
Unorthodocs Screening: Sediments
October 30, 2022
2:00pm – 3:45pm
A charming and captivating hangout movie that examines issues of love, identity, collectivity, and individuality through six Spanish trans women who head to the countryside for a weekend cabin getaway.
Unorthodocs Screening: Tantura
October 30, 2022
4:00pm – 5:15pm
A provocative and powerful new documentary that looks at why nations struggle to acknowledge problematic aspects of their own history, focused on a 1948 massacre that’s alleged to have occurred during Israel’s founding.
Unorthodocs Screening: My Imaginary Country
October 31, 2022
4:30pm – 6:00pm
The new film by renowned Chilean filmmaker Patricio Guzmán documents the massive social protest movement that swept Chile from 2019-2021 and led to the regime-changing election of a new left-wing coalition.
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Anthony Banua-Simon, Cane Fire, 2020. Film still. Courtesy of the artist

Venue Details
Wexner Center for the Arts
1871 N High St
Columbus, OH 43210
(614) 292-3535
Tue, Wed & Fri 10am–6pm, Thur 10am–8pm, Sat & Sun 10am–5pm
Exhibitions are free to the public, screenings excluded
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